When first watching something close to the heart, the adrenaline and hype of seeing our favorite characters go through new adventures often dilutes our objectivity of what we are watching. Sex and the City fans raved over the major motion picture this past year while everyone not associated with the show realized what a piece of crap it was. Simpsons fans had the same problem this year and even some Indiana Jones fans had the same problem with the newest sequel.
Entourage was very good in it's first season and got better and even better in its second and third seasons (1a and 1b). The fourth season was good, but began to lack balance in its episodes. Too many episodes were only focused on business or only on partying. The first 3 seasons balanced the two well, while the fourth lost that great aspect of the show.
The fifth season of "Entourage" was completely implausible. Vince makes one bad indie film that isn't even released in theaters and is put in "movie jail." Vince was the star of the highest grossing film of all-time and another hit before that, he is a major sex-symbol, and has been in the tabloids week after week. A actor of this kind of notoriety would never be out of a job.
Besides Vince's unemployable situation, the fact that Ari passes up a $10 million deal to become a studio head simply because he cares about 1 of his hundreds of clients is a slap in the face to viewers with a brain or at least a sense of what the industry is truly like. Agents are sharks and they have no time nor can they afford to have emotional connections with there clients, at least not enough to pass up $10 million and the opportunity of a lifetime.
After giving Dana Gordon the job, they put the movie together in a heartbeat, we never see Edward Norton on the set of which he is the lead, and the entire movie falls apart because the director doesn't like Vince do to pure stubbornness. A $120 million action film does not become completely undone because of the animosity between a director and an actor. At worst, one of the two gets replaced.
Concluding the season, Vince for some reason feels like NOW is the time that he is done and moves back to Queens. He has been in worse situations. He even had an offer for a kid's movie (Bengie) from Warner Brothers. He could have easily gotten another offer in a kid's movie from the same Warner Brothers after Smoke Jumpers fell apart. After being home for a few days and blowing up at E, Vince gets a call from possibly the biggest director on the planet, Martin Scorsese, and gets an offer without a meeting from dailies of a movie that fell apart.
Besides the main story line, Jamie Lynn Sigler falls in love with Turtle, Drama is the star of a show that would tape every day for 3/4 of an entire day and we only see him on set once a month for an hour or two, and finally we never see Justine Chapin again after her and Vince decided to start dating.
All of this aside, the show had plenty of unforgettable lines, funny moments, and great cameos, but the Doug Ellin needs to get it together and make the story line more plausible and less torturous. Because frankly, watching Vince suffer for an entire season was miserable.
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